Originally from the small town of Chilliwack, British Columbia, Bria studied jazz and performance at Capilano University in Vancouver while balancing a full road schedule with two bands. After graduating she traveled extensively, performing in China, Japan and throughout Europe as a featured artist. When she wasn’t traveling, Bria was honing her chops with Dal Richards, Vancouver’s King of Swing. Playing BC Place Stadium at the 2010 Winter Olympic Games in Vancouver capped off this exciting period, with Bria featured at the Paralympics opening ceremony for over 50 000 people. Seeking new challenges, Bria moved to New York city in September of 2010. Upon arrival she went to jam with friends in Washington Square Park and an hour into playing world renowned trumpeter Wynton Marsalis stopped to listen. He gave her a thumbs up.

Brad Goode earned a BM degree in classical trumpet at the University of Kentucky, and an MM degree in bass at DePaul University. His trumpet teachers include Vincent DiMartino, Byron Baxter, Clark Terry, Chris Gekker and William Adam. He studied bass with Larry Gray, Donald "Rafael" Garrett ,Carroll Crouch, and Eddie DeHaas. During his apprenticeship years, he toured and recorded with the bands of Von Freeman, Red Rodney, Eddie Harris, Ira Sullivan, Curtis Fuller, Jack DeJohnette, Ernie Krivda, Rosemary Clooney, Barrett Deems, the Woody Herman Orchestra and many others.

Brad led his own combo in Chicago from 1985 until 1998, including a twelve-year stint as leader of the house band at the Green Mill. As a Cultural Ambassador for Mayor Richard Daley of Chicago, he led jazz groups on tours of Asia and the Middle East. He was named one of the most influential Chicagoans of the 1980s by the Chicago Tribune, who credited him as a “major catalyst in the revitalization of the Chicago jazz scene.”

Brad currently tours with the bands of Canadian vocalist Matt Dusk and West African drummer Paa Kow, and with his own quintet. He makes frequent appearances as a soloist and clinician at colleges and high schools.

Brad Goode has served on the faculties of The American Conservatory of Music, New Trier High School, Cuyahoga Community College, The University of Cincinnati College Conservatory of Music, The Colorado Conservatory for the Jazz Arts and The University of Colorado, where he is currently Associate Professor of Jazz Studies, and serves as the Musical Director for the Conference on World Affairs. 

Pursuing his true passion and enhancing his talent through education, Kobie attended Vandercook College of Music studying all forms and genres of the percussion family with Marc "Max" Jacoby (vibraphonist/ mallet) and Kevin Lepper (percussionist), both teachers igniting him to reach greater achievements and goals.

Kobie has cultivated dynamic relationships with his peers in and out of the Jazz, Latin, and Gospel community as a drummer, percussionist and a mentor. Living out his commitment to the music he holds a long list of great musicians he has played and recorded with- jazz legend Sonny Rollins, Curtis Fuller, Arturo Sandoval, George Coleman, Ira Sullivan, Sonny Fortune, including Fred Anderson, Ari Brown, Willie Pickens, Bobby Broom, Orbert Davis, Ken Chaney, Ron Perrillo, Bethany Pickens, Ryan Cohan, Dennis Winslett, Jarrard Harris and James Austin. Additionally, Gospel singer Kim Burrell, R&B and Neo Soul artists Julie Dexter, Javier, Kendra Ross, Chris Robinson, and many others. Kobie has toured extensively in Africa, Europe, Asia, Canada, South America and the United States.

Kobie's educational and mentoring relationships include working with Wynton Marsalis at Martin Luther King High School (Chicago, IL.) a clinic for high schooler's aspiring to play jazz. The Ravinia mentors program for the Chicago Public High School students, and "Attention for Boys" a MusicAlive mentoring and teaching program, founded by Orbert Davis and Mark Ingram for inner-city youth ages 8 to 18 years. Additionally, since 2004 Kobie has played with a band leading teens in worship at a Christian Teen Camp in Lake Geneva, Wisconsin. His experiences include a rich mosaic of styles, genres, interests and qualifications. Kobie is currently touring with "Concord" recording artist and seven-time Grammy nominee Kurt Elling and Jazz Legend Sonny Rollins. Kobie is a product level Artist with Sabian cymbals (05).

Harrison honed his experience playing with Roy Haynes, Art Blakey, Eddie Palmieri, Dr. John, Lena Horne, McCoy Tyner, Dr. Eddie Henderson, Miles Davis, Ron Carter, Billy Cobham, Chuck Loeb, Dr. Lonnie Smith, Digable Planets, Guru’s Jazzmatazz, The Headhunters, The Chicago Symphony Orchestra, and The Notorious BIG. He has performed with over 200 jazz masters and created three influential styles of jazz. At the age of nineteen, Harrison created a modern jazz take on the New Orleans second-line tradition and introduced his composition New York Second-Line to the jazz world in 1979. By the mid-’80s, he created Nouveau Swing, a distinctive sound that blended the swing beat of modern jazz with hip-hop, funk, and soul music. In the ’90s, Harrison recorded hits in the smooth jazz genre. He began exploring music through the lens of quantum physics in 2000. With quantum jazz, Harrison heard how to move music from a two-dimensional state into a four-dimensional state. Harrison has been a mentor to artist as diverse as The Notorious Big, Jonathon Batiste, Christian Scott, Trombone Shorty, and Esperanza Spaulding. 

In 2020 look for Harrison performing Charlie Parker with strings in tribute to his centennial. He is composing orchestral classical music for upcoming premiers and adding hip-hop/jazz to his multi-genre recordings and performances.

“To be fair my brother was the better drummer,” Ross admits. “We both made the cut and since I already played mallets they said, ‘Why don’t you try vibraphone?’ I was like, ‘I don’t know what a vibraphone is. I don’t want to do this."

But he did, and found it the most natural way to express himself. He practiced and played constantly through numerous opportunities from the Jazz Institute of Chicago, and later became one of the first students at the city’s first public arts high school, Chicago High School for the Arts. Through ChiArts’ partnership with the Thelonious Monk Institute of Jazz, Ross got to meet kindred spirits at other high schools around the country, jam with Herbie Hancock (his class of 2013 keynote speaker), and learn from special guest Gerald Clayton, a gateway to the beguiling music of Akinmusire, in particular the trumpeter’s own Blue Note debut When the Heart Emerges Glistening, which Ross didn’t immediately understand, so, naturally he became keenly devoted to unpacking every note.

Still, he’d never had a dedicated vibraphone teacher. Enter Stefon Harris, who after meeting Ross at a festival, invited him to try out for his Brubeck Institute Jazz Quintet at University of the Pacific in Nor Cal. Ross won it, and for two intense years worked to tear down and rebuild his approach to the instrument. “Stefon completely revamped my technique,” says Ross. “We were also learning his [now-famous] ear-training method, applying emotions to chords and hearing harmony in new ways. I figured out how I wanted to sound.” Ross soon transferred to the New School and formed his band Good Vibes featuring his favorite players he met at camps, contests, and gigs along the way.

His musical travels have taken him all over the geographical world and the musical map. Equally at home in Jazz, Classical music, Rock, Folk, Latin, and World Music, he brings a fresh lyrical approach to whatever he plays. He joins Orbert to reflect on his 40-year musical career, and even makes time for an impromptu jam.

As a bandleader and recording artist he has released a series of critically acclaimed CDs featuring his distinctive composing and arranging, and toured the world with various ensembles reflecting the wide sweep of his music. He currently is on the faculty at New York University as well as conducting clinics and workshops at prestigious institutions of learning the world over. His talents have been recognized by top placings in the DownBeat Critics and Readers Polls; highly rated reviews for his work in DownBeat, Jazziz and JazzTimes; 2005 and 2007 Grammy award nominations as well as a 2007 Grammy Award, and grants from the National Endowment for the Arts, Chamber Music America, and Meet The Composer.

In addition to his position at Temple, Terell Stafford has also worked with the Juilliard School’s jazz program, at the Lincoln Center’s Essentially Ellington program.